Pop Haydn (www.pophaydn.com) has posted a number of recent videos on his blog at pophaydn.wordpress.com, but as this is one of favorite routines of his, I decided to share this one. There are a number of great Color-Changing Knife routines, and while trying to work out what routine I want to do, I’ve read and studied his lecture notes on his. Still, it’s not the same as seeing him do such a classic routine and he’s still at the top of my bucket list of magicians I want to meet. Seriously, if I can even channel a little of Pop’s charm and ability as my acts develop, I’ll consider it a personal win.
Once I got confirmed for this show, I was a bit concerned that I wouldn’t have anybody watching. Outdoor festival, Sunday afternoon, 4:30 pm. I was less worried about the show going well than I was about anybody being there to see it. A dear friend of mine was in the area, and where I had hoped that she would be able to make it, it was the same time and day as her parents’ 50th Wedding Anniversary party. (Which, had I known about earlier, I would have been at. Again, Happy 50th, Tom and Linda, and thanks for being one of my sets of surrogate parents during high school.)
I had thought about publicizing the show a bit more than just the week before on my blog and on Facebook , LinkedIn, and Twitter, but I couldn’t come up with a flyer I liked. I had tried for something more like black and white punk show flyers that I collected from college campuses, either from local bands I liked or just because I dug the artwork so much, but I really couldn’t come up with something I liked. Plus, knowing this was mainly a free show, I didn’t want to try to bum decent artwork from some of my more artistic friends. I had one friend in mind that probably would have come up with something perfect, but I value his artistic ability too much to have done that. As this was to be street performance done a little bigger, though, Ben’s artistic direction on a flyer would have been perfect. Maybe next time.
Anyway, I pretty much just settled on word of mouth and the little bit of publicity.
I worked through my routine, and where they wanted about a 45 minute show, I had everything timed to about 38 minutes, and, knowing that there would be a lot of additional patter as I played with the crowd (see, I’m still working under the assumption there will be a crowd), I figured I was in a good safe zone for time.
A couple of days before, I got an email from the organizer for the street performers, and she gave the alternate plans in case there was rain. We’d move the stage to across the street from the park. Not a problem.
I had planned to busk during Saturday, but when I got to the park and saw the arrangement, it wasn’t going to work. The park was crammed, with displays, and to try to get a small circle show was not going to happen. The heat and humidity had people pretty much sitting watching the main stage and there was only one busker working, To Yo, a top spinner. I did get to see what the staging situation would be, though, watched Martin Bronson from Tapmen Productions tap dance on the stage, and got to watch To Yo performing some seriously cool top spinning.
Okay, getting into Sunday, I got a call in the morning about everything being moved into the church because of rain. No worries. Posted the update to Facebook, and settled in to relax before final prep for the show. When time came, packed the act and the wife and away we went. Once we got to the park, checked in and was told we were back outside, so another update.
Not many people in the park and most of the vendors had packed up. The act before me had to end really early. It was another tap dancing group, but they hadn’t brought their own surface to dance on, and the stage had started to tear their shoes apart. I was told I could start whenever I wanted (to get ahead of any possible rain), but as I had advertised it was at 4:30, so if anybody I knew was going to show, I wanted them to see the entire act. I was approached by a couple of little girls (who I later found out were named Mikayla and Torrence) who asked if they could help me in the act, and I assured them they would, so at least I knew I was going to have two helpers for the show.
Okay, now, I could go over the routines I did, but I’ll now just focus on some personal observations of the show.
It did go well. For the crowd I started out with, about 15 people, it doubled by the time I had gotten into the third routine, so I must have been doing something right. People who started out watching from the sidelines ended up moving into the seats to settle down and enjoy the show. Not a big crowd, but it was a majority of the people who were left in the park at that point, so I’ll take that as a win.
I was loathe to throw in a Mis-made Flag routine because in general, I tend to feel that it’s kinda overdone. Also, the local Ronald McDonald does it in his act, so it’s always a fear of reproducing routines that everybody has seen before. I say this, even though I open with my Linking Rings routine, but at least that bit of manipulation (with origins in Al Schneider’s routine, but changed over and over with influences by Harry Monti, Levent, Jimmy Talksalot, and Dick Stoner) is my own. Oddly enough, though, the Mis-made Flag was my wife’s favorite routine I did. Okay. For something that, honestly, I really only put in there to pad for time, it worked well.
The patter, in general, worked really well. I’ll be the first to admit, I try to pull out as many laughs as I can. I had a crowd that was all-ages, and from the littlest kids to the oldest adults, everybody there seemed to be laughing and having a good time. Another personal victory.
A downside I’m looking at, and I’m still wondering a bit about it and how I want to fix it, is I seem to play the “Magician in Trouble” plot in a large percentage in my routine. For any of the laypeople reading this, that’s a case where the trick doesn’t seem to be working for me, but it works out in the end to big laughs. Off the top of my head, four of my routines use this plot in some way. Now, usually it’s used to get laughs and a bigger response as I capitalize on it throughout the routine, but maybe four is too many. I still don’t know. Hell, Tommy Cooper made a career out of bumbling through his routines, most often failing, and was hysterical in doing it. Check the links in the Tommy Cooper tags in this blog or even search YouTube for him to see what I mean. I’m still wondering about this, so it’s a consideration.
I had timed the act for 37 minutes, thinking that I take even more time with playing with the audience. As it was, the entire act ran in about 30 minutes. It reminded me of when I was in rock bands lo so many years ago and we would blast through our set in performance in almost half the time we had timed ourselves at while rehearsing. I’m sure this will settle as more shows develop, but wow. I didn’t cut or leave anything out, so yeah, I blazed through it. As it was, I think that it was probably the right length, so there’s that.
Finally, the last routine I did, my finale with a spring rabbit named Reggie, failed. He got the chosen card wrong. Now, I played with the audience and had them with me until the very end, but damn, that scenario happened. The routine failed. I had gone over and over in my head about how I would end the routine if that happened. I was pretty certain it would work, though. It’s not failed before, but there’s always that first time. For all my contingency planning, my solution was not even close to anything that had been considered before. If I had a Tommy Cooper moment, that was it. Even with the failure, though, the routine got big laughs and it didn’t detract from the show at all. This time around, the magician really was in trouble, but the overall payoff was still pretty good. May not have been the routine ending I wanted, but that’s all right.
In general, it was a good show. For a late Sunday afternoon festival show, I had a better audience than I had feared I’d have, and my two young assistants that had approached me earlier gave me watercolor paintings they had done earlier. The sound guy who had worked the entire festival seemed to have a good time, and I figure he would have been one of the toughest sells, but once I got started, because I wasn’t using the PA, he sat down in the middle of the audience and laughed along with us.
Again, for all the laughs, I don’t think anybody had a better time of it than I did, but because they were laughing and having a good time along with me, I definitely will chalk it up as a win.
For anybody who may have planned on coming out to see my show today, because of the weather, the show has been moved across the street from Strauss Park to Third Baptist Church at 620 N. Grand. The church is catty-corner to the Fox Theater, so if you know where the Fox is, finding the church shouldn’t be that hard. I will be performing at 4:30 it’s a free performance, magic, and laughs.
This weekend, June 21 and 22, I will be performing at the St. Louis Fringe Festival. I have a family event to attend Saturday morning/early afternoon, so I won’t start doing my busking act at the festival until probably around 4 pm until whenever I feel I’ve run my course with it or the evening festivities wind down. (Hey, it’s busking. I can make my own schedule on this.) Sunday, I will be performing a 45 minute show on the Street Fringe stage they have set up in Strauss Park at 4:30 pm. According to the notice I received, “In the case of rain all Street Fringe performances will be moved to Third Baptist Church at 620 N. Grand.” That’s across the street from Strauss Park. They have a lot of acts going on, some in theaters, and a lot going on in the Street Fringe area. Theater shows have ticket prices attached to them, but the street stuff is all free. As I’m busking, yeah, I’ll hat whatever crowd stops to enjoy the show, but it’s all up to you if you want to pay. Kind words are payment enough, but money is always welcome. It’ll be hot out (if not wet), but it will be a good time. More information on the St. Louis Fringe Festival can be found at http://stlfringe.com. Everybody who can is invited and welcome to come on out and enjoy the stoopid!
I’ve gone back and forth as to whether or not to go to the Don England (www.dmksingle.com) Night Before Workshop that is happening in Springfield, IL at the 2014 Central Illinois Magic Get-together (www.cimgt.org). I started going through articles and YouTube videos, and man, I’m sorry I hesitated. He’ll be lecturing at the convention, but the chance to do a workshop with him in a relaxed and casual atmosphere seems like a good learning opportunity. Of the stuff I read and watched, this was the trick that amused me the most. The videos are all close-up without really any audience involvement (I tend to want to see audience reactions), but getting the feeling of “this is really cool” sold me on wanting to spend more time learning from Don. Most magicians are familiar with a trick called “Card Warp,” but this takes a similar plot and turns it on its ear.