Tag Archives: Linking Rings

Experience Review – St. Louis Fringe Fest Performance, 24JUN2014

Once I got confirmed for this show, I was a bit concerned that I wouldn’t have anybody watching. Outdoor festival, Sunday afternoon, 4:30 pm. I was less worried about the show going well than I was about anybody being there to see it. A dear friend of mine was in the area, and where I had hoped that she would be able to make it, it was the same time and day as her parents’ 50th Wedding Anniversary party. (Which, had I known about earlier, I would have been at. Again, Happy 50th, Tom and Linda, and thanks for being one of my sets of surrogate parents during high school.)

I had thought about publicizing the show a bit more than just the week before on my blog and on Facebook , LinkedIn, and Twitter, but I couldn’t come up with a flyer I liked. I had tried for something more like black and white punk show flyers that I collected from college campuses, either from local bands I liked or just because I dug the artwork so much, but I really couldn’t come up with something I liked. Plus, knowing this was mainly a free show, I didn’t want to try to bum decent artwork from some of my more artistic friends. I had one friend in mind that probably would have come up with something perfect, but I value his artistic ability too much to have done that. As this was to be street performance done a little bigger, though, Ben’s artistic direction on a flyer would have been perfect. Maybe next time.

Anyway, I pretty much just settled on word of mouth and the little bit of publicity.

I worked through my routine, and where they wanted about a 45 minute show, I had everything timed to about 38 minutes, and, knowing that there would be a lot of additional patter as I played with the crowd (see, I’m still working under the assumption there will be a crowd), I figured I was in a good safe zone for time.

A couple of days before, I got an email from the organizer for the street performers, and she gave the alternate plans in case there was rain. We’d move the stage to across the street from the park. Not a problem.

I had planned to busk during Saturday, but when I got to the park and saw the arrangement, it wasn’t going to work. The park was crammed, with displays, and to try to get a small circle show was not going to happen. The heat and humidity had people pretty much sitting watching the main stage and there was only one busker working, To Yo, a top spinner. I did get to see what the staging situation would be, though, watched Martin Bronson from Tapmen Productions tap dance on the stage, and got to watch To Yo performing some seriously cool top spinning.

Okay, getting into Sunday, I got a call in the morning about everything being moved into the church because of rain. No worries. Posted the update to Facebook, and settled in to relax before final prep for the show. When time came, packed the act and the wife and away we went. Once we got to the park, checked in and was told we were back outside, so another update.

Not many people in the park and most of the vendors had packed up. The act before me had to end really early. It was another tap dancing group, but they hadn’t brought their own surface to dance on, and the stage had started to tear their shoes apart. I was told I could start whenever I wanted (to get ahead of any possible rain), but as I had advertised it was at 4:30, so if anybody I knew was going to show, I wanted them to see the entire act. I was approached by a couple of little girls (who I later found out were named Mikayla and Torrence) who asked if they could help me in the act, and I assured them they would, so at least I knew I was going to have two helpers for the show.

Okay, now, I could go over the routines I did, but I’ll now just focus on some personal observations of the show.

It did go well. For the crowd I started out with, about 15 people, it doubled by the time I had gotten into the third routine, so I must have been doing something right. People who started out watching from the sidelines ended up moving into the seats to settle down and enjoy the show. Not a big crowd, but it was a majority of the people who were left in the park at that point, so I’ll take that as a win.

I was loathe to throw in a Mis-made Flag routine because in general, I tend to feel that it’s kinda overdone. Also, the local Ronald McDonald does it in his act, so it’s always a fear of reproducing routines that everybody has seen before. I say this, even though I open with my Linking Rings routine, but at least that bit of manipulation (with origins in Al Schneider’s routine, but changed over and over with influences by Harry Monti, Levent, Jimmy Talksalot, and Dick Stoner) is my own. Oddly enough, though, the Mis-made Flag was my wife’s favorite routine I did. Okay. For something that, honestly, I really only put in there to pad for time, it worked well.

The patter, in general, worked really well. I’ll be the first to admit, I try to pull out as many laughs as I can. I had a crowd that was all-ages, and from the littlest kids to the oldest adults, everybody there seemed to be laughing and having a good time. Another personal victory.

A downside I’m looking at, and I’m still wondering a bit about it and how I want to fix it, is I seem to play the “Magician in Trouble” plot in a large percentage in my routine. For any of the laypeople reading this, that’s a case where the trick doesn’t seem to be working for me, but it works out in the end to big laughs. Off the top of my head, four of my routines use this plot in some way. Now, usually it’s used to get laughs and a bigger response as I capitalize on it throughout the routine, but maybe four is too many. I still don’t know. Hell, Tommy Cooper made a career out of bumbling through his routines, most often failing, and was hysterical in doing it. Check the links in the Tommy Cooper tags in this blog or even search YouTube for him to see what I mean. I’m still wondering about this, so it’s a consideration.

I had timed the act for 37 minutes, thinking that I take even more time with playing with the audience. As it was, the entire act ran in about 30 minutes. It reminded me of when I was in rock bands lo so many years ago and we would blast through our set in performance in almost half the time we had timed ourselves at while rehearsing. I’m sure this will settle as more shows develop, but wow. I didn’t cut or leave anything out, so yeah, I blazed through it. As it was, I think that it was probably the right length, so there’s that.

Finally, the last routine I did, my finale with a spring rabbit named Reggie, failed. He got the chosen card wrong. Now, I played with the audience and had them with me until the very end, but damn, that scenario happened. The routine failed. I had gone over and over in my head about how I would end the routine if that happened. I was pretty certain it would work, though. It’s not failed before, but there’s always that first time. For all my contingency planning, my solution was not even close to anything that had been considered before. If I had a Tommy Cooper moment, that was it. Even with the failure, though, the routine got big laughs and it didn’t detract from the show at all. This time around, the magician really was in trouble, but the overall payoff was still pretty good. May not have been the routine ending I wanted, but that’s all right.

In general, it was a good show. For a late Sunday afternoon festival show, I had a better audience than I had feared I’d have, and my two young assistants that had approached me earlier gave me watercolor paintings they had done earlier. The sound guy who had worked the entire festival seemed to have a good time, and I figure he would have been one of the toughest sells, but once I got started, because I wasn’t using the PA, he sat down in the middle of the audience and laughed along with us.

Again, for all the laughs, I don’t think anybody had a better time of it than I did, but because they were laughing and having a good time along with me, I definitely will chalk it up as a win.

Mikayla thoroughly unimpressed by the two sponge balls trading places in our hands

Mikayla thoroughly unimpressed by the two sponge balls trading places in our hands

My assistants, Shannon and Torrence, getting ready to strangle me

My assistants, Shannon and Torrence, getting ready to strangle me

Stupid rabbit

Stupid rabbit

My lovely assistants, Mikayla and Torrence, getting a photo with me after the show show

My lovely assistants, Mikayla and Torrence, getting a photo with me after the show show

Fringe Performance Update – 22JUN2014

For anybody who may have planned on coming out to see my show today, because of the weather, the show has been moved across the street from Strauss Park to Third Baptist Church at 620 N. Grand. The church is catty-corner to the Fox Theater, so if you know where the Fox is, finding the church shouldn’t be that hard. I will be performing at 4:30 it’s a free performance, magic, and laughs.

Photo(13)

Experience Review – Annie’s Hope 3rd Annual 5K & One Mile Family Fun Walk – 12APR2014

You know, despite trying to get paying gigs in addition to busking, I do love to do shows for charity events. This one was for Annie’s Hope (www.annieshope.org), a bereavement center in St. Louis for children, adolescents, and their families. When the confusion settled, and I got into my groove, man, it felt like I was right where I needed to be.

First off, I planned on doing my busking routine and flipping it over as I was able to get a crowd. The only change from what I had been doing was to replace Rocky the Raccoon with Reggie the Rabbit for the final routine. I had been working with Rocky because of the gags I could do with him, but the more I play with Reggie in my parlor act, the more I like the gags I’m doing with him. It’s mostly the same gags, but something feels more right with Reggie the more I use him. Yeah, I don’t have him jump out and startle like I do with Rocky, but the other gags feel more fleshed out. So that was my only change outside of some adjustments to patter that I wanted to try. Hell, it’s always a work in progress, especially when my act relies on audience participation.

So, after running through the act a number of times the night before, I was ready to go. Case was packed and table was ready for travel.

Saturday morning, after arriving at the event, I was met by one of the other magicians. He was a bit concerned, as I soon became, after we found that a company that focuses on providing children’s magic events was there, represented by one of their magicians and a balloon twister. To add to it, it looked like the only performance space was going to have to be shared. Man, I didn’t want to take away from them, and just as much, I didn’t want anything we did be an assist in promoting their company. They’re nice guys, but when it comes down to it, at some point, I do want to be part of their competition. After talking to the chairperson running the event, I set down my table, grabbed my rings, and started working the crowd. I found it easy to get a crowd while doing the rings, but I had walked away from my table, so after I was done working the linking rings, I was pretty much done with that group. I couldn’t ditch the rings in order to do anything else, so it was time to rethink my strategy. By the time I had pulled my table out to a good spot, the first event, the balloon release to start the 5k run was about to start, so the crowd was moving there.

Facepalm.

By the time the walkers and runners had all returned, Columbus, who was the magician who greeted me, had had to leave for his day job and the two other magicians from IBM Ring One were there and ready to go. So, now for us to really get into our thing.

While the other magicians did their bits, I found I was able to pretty much bally people to my table by just holding the rings looking like I was ready to do something. Admittedly, the crowd was kinda primed, but it was an easy tip to build from without feeling like I was poaching people from the other guys.

As for the crowds, they were small, but good. Very receptive. I think the most fun I had was with one pair of girls who assisted in the Ropes Through the Neck. One was terrified to pull the ropes, while her friend was very eager. I had fun playing off of them, looking at the scared one going, “Don’t worry honey, you won’t hurt me,” and then looking at the other with a “Well, you probably will.” I also learned that when you do the sponge balls with a child who is younger than three, her glee might send you chasing after the balls.

Whether it was the humidity or just me that day, for the life of me, I couldn’t do an overhand shuffle to save my life. Strangely, all the other slights worked without a hitch, but a simple shuffle that I’ve been doing since I was kid was beyond me. On the other hand, I think it only added to the final card reveal for Reggie and built things up nicely. I probably won’t aim for that type of shuffling, but if it happens again, it’s definitely not going to slow me down or frustrate me.

Also, yeah, going with Reggie was the right move. The final bit went right and felt right with each flip of my little act. Reggie got his laughs, and I came up with more material while working the act over and over. Not to disparage little Rocky, but he may be dry docked for a while.

Personal criticisms: Okay, I need to get my bubble routine worked out quickly. It’s going to be my bally, and though this crowd didn’t need one, it’s enough of a spectacle to build that it’s renewed my interest in getting it going as quickly as possible. Not that I’m going to perform it until the mechanics are second nature, but it’s going to be too much fun for me not to do it. Plus, it is luring the audience with spectacle.

Secondly, for some reason I was only able to get the final four-ring shape only half the time. I don’t know what’s going on with that, but I love the patter that goes with that (and it tends to get another laugh), so I need to woodshed that more to break down where the issue is. Not a show-stopper, but it’s a reminder to go back and practice all moves slowly.

Overall, it was a good time. For each crowd I stopped after I had my rig with me, I ran the full act without losing the crowd. Reviewing it, I think I flipped the act eight times after the walkers came back, so it was personally satisfying. Despite the chaos when we showed up, I’m looking forward to working for Annie’s Hope again next year if they put the call out. Good people doing a good thing, and I was glad to be a part of their event.

 

Bringing out Reggie for a card trick -photo by Jennifer Jones

Bringing out Reggie for a card trick -photo by Jennifer Jones

Experience Review – Busking in the Loop, St. Louis, Friday, 21MAR2014

Well, today was my first day out busking in St. Louis for 2014, and though I might have not reached some personal goals I had set for the outing, I’m not complaining.

Needless to say, though, my anxiety was running pretty high leading up to the show. There have been a few weekends so far that would have been good to work during, because of work, illness, and other prior commitments, I wasn’t able to go out. Knowing that this weekend will be too cold to be able to keep a crowd, I knew I had to go out today after I left the day job early.

And I have been nervous as hell about going out. Even though I’ve been out before, enough time has passed since my last venture out that all sorts of fears (rational and irrational) piled up. I really have been losing sleep over this, going over the act over and over in my head. And really, I’ve only added one new bit to the act since I was doing it last year and in other outings for the local clubs, I’ve been able to keep trying some new bits of patter to see what might work or not. I was getting pretty OCD about it all by the time I was hitting the door to head to Delmar. Yeah, despite the number of checks of my case, I still had to check it one more time while standing at the van before I finally was able to drive off.

I chose Delmar because of the amount of foot traffic and the fact that it was a typically pleasant to work last year. I was hoping to get the same spot I was working last year, but a couple of guitarists (not bad, by the way) were snagging it as I did a drive up and down Delmar to scope out the Friday late afternoon scene. The pickings were pretty ugly as far as pitches were concerned, so I ended up settling on a few that I hoped were the least of the evils.

Once I parked and was walking, I noticed that the wind was kinda heavy. Didn’t know if it would be a deal breaker, I just knew I didn’t want to do things so that I was chasing a sponge ball or two that were blown down the street. I also knew I needed this outing to happen because I was seriously tempted to chicken out.

I set up in the pitch I selected, which was on the corner to a parking garage across from the Tivoli theater. Foot traffic looked pretty good, but once I got going, I realized how bad the spot was. More on that in a bit.

The first group I got to stop was a pair of teenage couples. The guys stopped immediately and wanted to see what I was going to do with the Linking Rings, and the women suddenly became interested as soon as the clanking began. One of the women started out naysaying with the words, “It’s an illusion,” but I was able to still get a “Wait! How’d you do that?” out of her. By the end of the rings, I had also built the crowd up a bit. I zeroed in on my early naysayer and did my sponge ball routine with her, and had her attention. I then used a thirty-something couple to help me with the Ropes Through the Neck routine, and the look on the wife’s face was what I was hoping for. She really didn’t want to pull on the ropes and strangle me. Bless her! After that, though, the crowd broke up immediately before I could finish with my Rocky Raccoon routine. Dammit!

No problem, though. I took a moment to reset the act and stopped another group of girls who enjoyed the rings, but took off. Which led me to the best group of the day.

Okay, first off, when the hell did I get old enough that I can’t tell if a group of girls is high school aged or college aged? I remember this happening to adults older than me as I was growing up and always thinking, “Well, duh. It’s obvious.” Sigh.

Anyway, I stopped a group of about six young women and had then fighting over the chain of three rings trying to figure out where the “soft spot” was. That was worth the moment by itself, but getting the screams of “Oh my GOD!” with the sponge balls, followed by “Okay! Do that trick on me next!” kinda had my personal magic bug in heaven. When I passed out the ropes for examination, both of the volunteers were afraid to touch them because they were afraid they were going to turn into something. I love this gig. Once I had the knot tied in the ropes and they saw where this was going, they were pretty much terrified. This group (plus the additional people that gathered) was the only one that saw the Rocky routine, and by the time Rocky revealed the selected card, we were all having a good time. It was the only group that saw the full set, but I’ll explain some of the issues I need to learn to either deal with or avoid in the future.

Okay, the sidewalk I was working on was a bit shallow for me as far as crowd control.  If the crowd got too big, I had possible safety issues pushing people into the street just trying to get enough space to link the ring I was holding to the one being held by a helper, let alone leaving enough room for others not watching to pass by the act. It’s one thing to have a horseshoe group around you, but when there’s not even enough space for a full arm’s length around, it’s something I’m going to have to learn to work with. Let’s just say, if anything relies on angles, you’ve got a tough row to hoe. Also, with people passing by so closely, it keeps the group constantly shifting and not as stable as I’d like, so I really need to work hard on my crowd management in addition to pitch selection.

With these factors going on, even though I was doing some decent magic, I was dropping a lot as far as patter because I was also distracted. That didn’t help, so I’m going to have to put a good amount of time under my belt to get comfortable with all those issues.

All in all, I didn’t make any money, and my performance goal of at least ten sets didn’t quite happen. In the time I was out there, I ended up doing the rings twelve times, the sponge balls seven, the ropes four, and Rocky once. I ended up blowing off the pitch after an hour and fifteen minutes, because with the tough pitch and my level of experience, it probably was going to get far more frustrating without getting better.

In all, though, it felt good to be back out there. I think this outing was just to get back out there and get the nerves settled. The people were, in general, good to work with, and I’m looking forward to more and getting better with the tasks and challenges ahead. Yeah, a lot of irrational fears leading up to getting out there, but that should be far more diminished next time (which, if the weather forecast is right, won’t be for another couple of weeks). I don’t know where I’ll hit next, but I have some other locations in mind.

Two last things: Levent’s advice to me to get the rings into the spectators’ hands is the best advice I’ve gotten on the rings. I had to rework my routine from what it started out as to make it happen with some of the routining I really didn’t want to drop, but as it worked for the kids’ performances, it worked doubly so for busking.

Secondly, there’s a special place in my heart for the chemically-altered guy that was dogging me after one of the groups dissolved. Sorry, but I just couldn’t bring myself to show him “how to hide stuff so the cops can’t find it.” He just really knew I could help him out.

Daily Dose of Magic – Aldo Colombini “Three Ring Concerto”

Daily Dose of Magic – Aldo Colombini “Three Ring Concerto”

A couple of days ago, I read a post about Aldo Colombini (www.wildcolombini.com) suffering a catastrophic stroke, and today he passed from us. I never got a chance to meet the man, but he was on the list of magicians who I respect and hope to meet some day. I’ve watched a good number of his performances and have one of his books, and his charm and ingenuity left him in a league of his own. My condolences to his wife and family. Today’s Dose is one of his Ring routines, and even though it is silent, his wit and humor is still strongly conveyed in this beautiful piece. RIP, Aldo.

Aldo Colombini “Three Rings Concerto”

Daily Dose of Magic – Chris Capehart “The Linking Rings”

Daily Dose of Magic – Chris Capehart “The Linking Rings”

Once again, it’s time to go back to the guys who perfected their routines by working on the streets, and award-winning Chris Capehart (www.capehartsmagic.com) is a prime example of that group (I can only marginally consider myself part of that group, but it’s a goal). One of the things I love about Chris is the fact that one of his signature routines is his Three Ring Routine. His skill and handling is perfect and leaves its mark as one of the ring routines that must be seen.

Chris Capehart “The Linking Rings”

Personal Performance Review Notes – Shriners Children’s Hospital , St. Louis 15JAN2014 and Juvenile Diabetes Research Foundation Family Fun Day, 26JAN2014

Admittedly, both of these shows were two different types of shows, but in both cases, I learned quite a bit about my act from each show.

Starting with the Children’s Hospital show, I prepped beforehand to keep my act to 12-15 minutes with additional stuff on deck in case I needed to fill a time gap. I kind of learned this from prior experiences, but considering I was performing with Terry Richison, who I highly respect and gotten great advice from.  This time around, my act was scaled back to the Linking Rings, my sponge ball routine, and my Reggie the Rabbit routine.

I’ve been reworking my Linking Rings during the winter months, and I have to admit that watching Dick Stoner’s routine, I had some ideas on more that I wanted to do. It helps that Dick’s routine is not a silent act, which is a break from most versions I see. For the little bit that I had added, it looked like I had a positive response. As opposed to before, because I’m in close enough quarters with my audience, having them handle the rings is not a problem. The only thing that I might want to work on is getting the people more to the front. Don’t know why I did it, but I worked with what I think were a mother and daughter who were at the extreme stage left of the crowd. It’s definitely something I need to work a bit on. In my typical half-circle show, it’s not a problem, but when I’m dealing with an audience where half the group is in wheelchairs or traction frame, it’s something to consider. As I’m working on taking my act to retirement homes, that’s a serious consideration.

My sponge ball routine got the reactions that I love to get, but I need to work on it a bit more, just for my own personal benefit. I want to expand it a bit more but in a way that will translate well whether I’m on stage or busking. I’m back into a bit of research mode, I think, but more will be added when I’m ready.

And now we get to Reggie the Rabbit. Everything technically went well, but I’m going to listen to some of the notes I got from Terry on it. First, I need to remember to display the empty production box more visibly so it’s clearer that the box is empty. Next, in handling Reggie, I need to work on my handling him so I don’t unconsciously handle him the neck (oops) and look like I’m strangling the poor puppet rabbit. I didn’t realize I was doing that, and those unconscious moments are the ones that it’s always good to get feedback on.

Finally, in the other trips I’ve made to the hospital, we’ve never put much of a focus on teaching magic. When David Copperfield put out the guidelines for doing Project Magic, that was to be a focus considering part of this is learning magic as therapy. I think the Impossible Knot that Terry taught was a bit over their heads, but then again, it pushed them in learning the manipulation, so that was probably part of the point. When I go out to the hospital again in April, this is certainly something I’ll keep in mind.

Now, to yesterday’s performances at the JDRF Family Fun Day.

I ended up basically doing what would be a busking grind act, the only difference was, if I didn’t have a crowd, I would reset my show and try to get a group before starting again. I think with busking, there is so much involved with patter and rhythm that it took me about 45 minutes before I felt like I was in the flow of things. It was also at that point that the crowd became a steady flow of people coming in and out from my little area where I had my table and case set up.

Normally, either with a rope or some other sort of boundary marker, I would try to delineate what was my “stage area,” but the kids were pretty up close and personal. When I handed a sponge ball to one child to examine, you can believe that the kid next to them would grab it and check it, too, so I had some crowd management to deal with there. For the stuff I threw in my case and pockets, about the only thing I didn’t do was my Vanishing Silk routine. As I mentioned earlier, I’ve been working on my Linking Rings, and I finally got validation for the changes I’ve made. I actually had kids ask me to do them again. That felt like a major score for me. I tend to lead off my routine with the Rings, but it’s kinda always been more for me than for them, and with kids, they’ve been interested, but usually not seemed impressed until the final chain. I finally found a routine that seems to work well for me.

If there was a routine that I did that I am rethinking, it’s probably the Chinese Sticks. I’m still not satisfied with them, and while today in the shower, I did have one of those “ah-ha” moments on one of the things that I think I need to change. I’m still thinking about dropping them in favor of the Ali Bongo Pom-Pom Stick, and for my style of performance, I still think that might be a better way to go.

On a lark, I tossed my Rocky Raccoon into my case after I found out the night before how nicely he fit into a Crown Royal bag. This killed on such a level, I couldn’t believe it. Yeah, I used some of David Williamson’s material, but not really the impersonation parts. I found once I brought out Rocky, I kind of was able to do some improvisational jazz with him. This was some serious fun for me. I don’t care if maybe only some of the parents caught the reference, but my favorite Rocky impression is going to be “…and from ‘Big Trouble in Little China,’ David Lo-Pan.” It makes me giggle, so I’m keeping it. I ended up doing my card routine that I worked out for Reggie the Rabbit, and it worked out to the delighted squeals of the kids, so I think if I’m going to include a rabbit production I’ll use Reggie, otherwise, Rocky is on deck for the routine. I’m pretty sure Rocky’s coming out with me for busking.

If there is a take-away lesson from yesterday, though, it’s back into crowd management. I was at the inner corner of a T-intersection directly on the way to where the dinner was going to be served, so at one point, there was a serious crowd-press. At one point, I pretty was working inches away from the crowd. The kids were pretty grabby, and if I went into my case, they could see inside. I could keep them from grabbing, but they were going to look. The big issue with this was, as soon as some of them saw the Rings, they wanted to see the routine. Kinda hard at this point.  I need less than five seconds to reset the Rings, but that was a hard five seconds to get. Considering my location and the crowd that was moving through, it was difficult to get space, but somehow I still got it. Definitely a lesson in both crowd management and location.

I did end up with one little girl, Anastasia, crying because she said I never chose her to help me with a trick. For the life of me, I thought I had. I know I was interplaying with her quite a bit. Man, that stung a bit, but I’ve seen the hurt looks from kids who were upset from not getting picked to help before with some of the other people I’ve performed with, so I do know that when I work with kids, that’s going to be a possible hazard, but this is the first time it’s happened to me. It may be unavoidable, but my goal is to make the act fun enough that that is a minimal issue and in general, everybody has a good time.

All things considered, that was an exhausting experience, but great overall and it has my juices flowing for what’s to come this year.

Doing the Sponge Balls (photo by Columbus Smith)

Doing the Sponge Balls (photo by Columbus Smith)

Working the Linking Rings (photo by Columbus Smith)

Working the Linking Rings (photo by Columbus Smith)

Daily Dose of Magic – Richard Ross “Théâtre de l’Empire Paris April 1982″

Daily Dose of Magic – Richard Ross “Théâtre de l’Empire Paris April 1982”

Richard Ross (1946 – 2001) was an amazing talent and two-time FISM award winner. In the magic community, his Linking Ring routine (also in this video) is considered one of the most beautiful presentations of the rings. This video also includes Richard’s other signature effect, The Multiplying Watches, and is a study in the artistry that he applied to his magic.

Richard Ross “Théâtre de l’Empire Paris April 1982”

Daily Dose of Magic – Doble Mandoble “The Untamed Rings”

Daily Dose of Magic – Doble Mandoble “The Untamed Rings”

Luis Javier and Miguel Angel Cordoba hail from Belgium and perform under the company name of Doble Mandoble (www.doblemandoble.com) and won a first in Comedy Magic at the 2012 FISM in Blackpool for their routine “Les Aneaux Indomptes” (“The Untamed Rings”). I love it when a Linking Rings routine is a comedy of errors, and this is a prime example of that.

Doble Mandoble “The Untamed Rings”

Happy Holidays!

I guess posting my wishes to everybody comes a bit late, but I’m okay with that. The holiday season in the U.S. isn’t over, so I’m more posting in the midst of it. In the midst of some decent memories, I do have one that sticks out. I’m feeling a bit loquacious due to a rather stiff drink of Kraken rum and Coke, and due to my wife already being in bed, I’m compelled to write instead.

Due to being sick, my wife and I missed the yearly Christmas Eve party at my grandfather’s house. It was a bit of a bummer for us, and on my side, I was looking to drag whatever poor souls that were willing to watch to a magic show I had prepared. In a house that was probably crowded when my grandparents were raising their five kids, we have a good time with the 30-40 family members that congregate there each year. It’s packed, young children run around like mad, and it is absolute, beautiful chaos. Missing it really did leave me bummed. In this case, though, instead of being on Christmas Eve, it was done on the Sunday before.

We had arranged to go to see my family on Christmas Day once I called them to tell them we wouldn’t be there for the party, but later decided to go on Christmas Eve so we would be able to stay later without dealing with having to leave early from visiting to be ready for work the next day and decided to see my grandfather before going to my parents. And this is where my story really starts.

We went to see Grandpa and had a wonderful time talking to him. I’ve mentioned before (jasonstackmagician.com/2013/11/24/probably-my-favorite-performance-yet) how much esteem I hold my grandfather in, and when my beloved and I visited him, we had a wonderful time chatting, catching up and reminiscing and just enjoying each others’ company. Of course, after his response to me performing magic for him on the last visit, I brought stuff for my act along.

When I figured it was time, I asked if he minded seeing my latest bit that I had been working on and he was very happy to see it. I realized while performing the routine that I had not rehearsed it as many times as I should, and I was glad for the test run, but we all had a great time. After I had done the bit, we started talking and Grandpa told us how his favorite piece of magic was always the Linking Rings, so I performed my routine for him again. And really, as the Linking Rings are my favorite piece of magic, it felt wonderful to know that I shared that in common with someone who I held in such great esteem. With the discussion we had afterwards, I couldn’t wipe the smile off my face when I was done.

See, I think that when I perform magic, I’m back to being a kid again. Michele can tell how happy the experience makes me each time I perform, whether it’s been for a small group or running an act over and over again for a festival. One of the major magic suppliers has a motto of “Born to Perform,” and that sums up the experience of performing magic for me. Whether for a group or for a single person, when I perform, the smile plastered to my face is not forced. It’s as genuine as any smile I’ve ever had and lingers long after I’ve packed up my kit and come home.

The icing on the cake for me, though, was what came after. Now, the last time I performed for Grandpa, I noted how his eyes were wide open the entire time I went through my routine, and I got that again. The little, but oh, so substantial, gift I got this time was this: As I fumbled to lock the door behind me on my way out, I heard my grandfather whistling a tune. Seriously, I couldn’t ask for a better Christmas gift than that. That one is going to stay with me for a long time.

Christmas Eve 2013 with Grandpa

Christmas Eve 2013 with Grandpa